. This trial is represented in the painting. The
prisoners were taken out of their cages, as is seen in the
foreground. The Frenchman recognized seventeen out of the
twenty-four; but when the passenger, who had been his friend,
was brought in, the two eagerly embraced each other, which scene
is also portrayed in the painting. An explanation of this
extraordinary act was made to the judge, and the man forthwith
set at liberty. A purse was made up for him by the Chinese and
foreigners, and he was soon on his way homeward. The seventeen
_were_ decapitated, in a few days, in the presence of the
foreigners; the captain, was to be put to a 'lingering death,'
the punishment of traitors, and the stolen treasures were
restored."
I do not quote the above for the sake of the anecdote, though the
relation is authentic, but as, affording a striking illustration of the
advanced civilization of the Chinese. It shows that the supremacy of the
law is universal, and its administration efficient. The criminals, in
this instance, are promptly seized, tried, and condemned on strong
evidence; but, before they are executed, reference is made to the
distant metropolis, Pekin. Here it is observed, that the most important
witness was not 'confronted with the prisoners,' and they are forthwith
directed to be conveyed to Canton, to be examined in his presence.
Seventeen are recognized by him and are executed. The rest escape. Now
this is just what might have taken place under the best ordered
governments of Europe. The humane maxims of British jurisprudence, if
not acknowledged in theory, may be here witnessed in practical
operation, and the single circumstance of referring capital convictions
to the Emperor, in his distant metropolis, for confirmation, before they
are carried into effect, shows a respect for human life, even in the
persons of criminals, which is one of the surest tokens of a high state
of civilization. Such is the criminal jurisprudence of Ch
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